Desi Bascomb’s job as a princess substitute has gotten a whole lot more glamorous now that she’s advanced to Level 2 within the Facade Agency. Magical make-up, roller-skating celebrities, and the chance to see Prince Karl again are just some of the major perks. Not to mention, she’s landed the role of Fairy Queen in her school’s production of Midsummer’s Night Dream (opposite her best friend’s crush. Which is a little weird, but at least he wears a donkey head during their kissing scene). Life should be perfect, but Desi can’t seem to shake the feeling that there is more going on with the agency’s magic than she’s told. Like why is this mind-bending power exclusive to royals? Is it possible that there could be a bigger way to make an impact in both parts of her life? (From Lindsey Leavitt's website)
Away- Teri Hall
When Rachel crosses The Line she leaves behind everything she has ever known and enters a strange new world: Away. Life there is hard, and survival is never guaranteed. Bizarre, wild creatures roam the forests, and people—the same people she’s always been told are dangerous and untrustworthy—have gifts she’s never thought possible.
Rachel has to rely on Pathik, the boy she risked her own life for, to help her navigate the strange customs. He’s exasperating, but she thinks she can trust him, and she hopes he’ll lead her to answers about her father. As it turns out, he leads her to more than she bargained for, and Rachel finds herself on an adventure filled with life and death choices, dark conspiracies, and unthinkable sacrifice.
In a place with no technology, no electricity, no medicine, and very little hope, Rachel discovers that only one thing makes life worth living. If only it’s not too late. (From Teri Hall's website)